"Liebestraum No. 3 in A flat, S.541 No. 3" by Franz Liszt, Claudio Arrau was released on January 1, 1990. With this song being about 5 minutes long, at 5:08, "Liebestraum No. 3 in A flat, S.541 No. 3" by Franz Liszt, Claudio Arrau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Claudio Arrau's "Liszt: Sonata In B minor; Mephisto Waltz No. 1; Liebestraum No. 3; La Chapelle de Guillaume Tell" album is number 6 out of 7. Based on our statistics, Liebestraum No. 3 in A flat, S.541 No. 3's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebestraum No. 3 in A flat, S.541 No. 3 by Franz Liszt, Claudio Arrau to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Liebeslied (Widmung), S. 566 | Robert Schumann, Franz Liszt, Alexander Krichel | E♭ Major | 2 | 5B | 77 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 2 in A-Flat Major | Franz Schubert, Claudio Arrau | A♭ Major | 0 | 4B | 74 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | B Major | 0 | 1B | 80 BPM |
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