"VI. June. Barcarolle" by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev was released on 2004. With this song being about 5 minutes long, at 5:25, "VI. June. Barcarolle" by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Tchaikovsky: The Seasons". In this album, this song's track order is #6. VI. June. Barcarolle is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With VI. June. Barcarolle by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 2 in C Minor, BWV 847: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Gnossiennes: n° 5 | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue in C Minor, BWV 847 | Johann Sebastian Bach, András Schiff | C Minor | 3 | 5A | 90 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM |
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