"Bagatelles et impromptus: VII. Love" by Bedřich Smetana, William Howard was released on June 3, 2016. The duration of Bagatelles et impromptus: VII. Love is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Bagatelles et impromptus: VII. Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sixteen Love Songs". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Bagatelles et impromptus: VII. Love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bagatelles et impromptus: VII. Love by Bedřich Smetana, William Howard having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Má vlast: The Moldau | Bedřich Smetana, Xavier De Maistre | B♭ Minor | 1 | 3A | 105 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač) | Bedřich Smetana, Prague National Theatre Orchestra, Jaroslav Vogel, Ivo Zidek, Karel Kalaš | G Major | 4 | 9B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
Section: 0.6800534725189209
End: 0.6837711334228516