"Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano)" by Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu was released on July 31, 1997. The duration of Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Traumerei: Romantic Violin Favourites". In this album, this song's track order is #1. Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) by Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslied | Pinchas Zukerman, Royal Philharmonic Orchestra | A Major | 1 | 11B | 123 BPM | ||
Schumann Romance in A Major, Op.94 No.2: Robert Schumann | Mela Tenenbaum | A Major | 1 | 11B | 80 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Partie 2 en ut mineur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 3 | 10A | 194 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | C Major | 1 | 8B | 144 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
Boccherini / Arr Stoll : Sonata No.3 in G major : III Minuetto | Luigi Boccherini, Jörg Baumann | G Major | 0 | 9B | 107 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM |
Section: 0.5595297813415527
End: 0.5642638206481934