Maria Bayo, J.A. Alvarez-Parejo made "De los álamos vengo, madre" available on January 1, 1992. The duration of De los álamos vengo, madre is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. De los álamos vengo, madre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. In terms of popularity, De los álamos vengo, madre is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of De los álamos vengo, madre by Maria Bayo, J.A. Alvarez-Parejo is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bianca e Falliero: Act I Scene 2: Esce il Doge (Chorus, Contareno, Capellio) | Gioachino Rossini, Maria Bayo, Daniela Barcellona, Francesco Meli, Carlo Lepore, Ornella Bonomelli, Dario Benini, Jiří Prudič, Karel Pajer, Stefan Cifolelli, Prague Chamber Chorus, Galicia Youth Symphony Orchestra, Renato Palumbo | G Major | 4 | 9B | 105 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Il natal d'Apollo: Ombra dolente (Alceo) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 0 | 9B | 70 BPM | ||
Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 3 | 11B | 108 BPM | ||
Bohemios: "Récit" (Cossette, Pelagia) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas | D Major | 1 | 10B | 75 BPM | ||
Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace) | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 121 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento" | Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | F Minor | 2 | 4A | 131 BPM | ||
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
L'elisir d'amore / Act II: "Eccola!" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 82 BPM |
Section: 0.615260124206543
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