Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon's 'Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice)' came out on 1998. The duration of Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Offenbach: Orphee aux enfers". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) by Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Ils se sont éloignés, enfin!" | Jacques Offenbach, Plácido Domingo, Edita Gruberova, Orchestre National De France, Seiji Ozawa | G Minor | 0 | 6A | 74 BPM | ||
Symphony in D Major, Hob. I:104 "London": I. Adagio - Allegro | Joseph Haydn, Marc Minkowski, Les Musiciens du Louvre | D Major | 2 | 10B | 125 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | ||
Romeo and Juliette, Act III: O jour de deuil! | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | G Major | 1 | 9B | 91 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
La favorite, A. 58, Act I Scenes 1 & 2: Pieux monastère ! - Ne vas-tu pas prier avec eux ? | Gaetano Donizetti, Evgeny Stavinsky, Javier Camarena, Donizetti Opera Choir, Coro dell'Accademia Teatro alla Scala, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM |
Section: 0.7313628196716309
End: 0.7356443405151367