"Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum" by Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France was released on 1984. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, Barbara Hendricks, Georges Prêtre's "Gounod: Messe Solennelle de Sainte Cécile" album is number 8 out of 8. On top of that, France appears to be the country where this track was created. Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum by Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs de l'Opéra National de Paris/Jean LaForge/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B Major | 3 | 1B | 86 BPM | ||
Requiem, Op.48: 3. Sanctus (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Major | 0 | 5B | 173 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | A Major | 1 | 11B | 77 BPM | ||
Requiem, Op.48: 2. Offertoire (Bariton, Chorus) | Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Minor | 1 | 2A | 125 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Teresa Stratas, Juan Pons, Florindo Andreolli, Alberto Rinaldi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 2 | 12B | 121 BPM | ||
Paris, Walzer, Op. 101 | Johann Strauss I, Georges Prêtre, Wiener Philharmoniker | C Major | 2 | 8B | 95 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Juan Pons, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | D♭ Major | 1 | 3B | 84 BPM |
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