Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas made "Bohemios: "Récit" (Cossette, Pelagia)" available on January 1, 2001. With this song being about 5 minutes long, at 5:02, "Bohemios: "Récit" (Cossette, Pelagia)" by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vives: Bohemios by Amadeo Vives, Antoni Ros Marbá, Coro Polifonico De La Universidad De La Laguna, Orquesta Sinfonica De Tenerife. The song's track number on the album is #3 out of 7 tracks. Based on our data, France was the country where this track was produced or recorded. Bohemios: "Récit" (Cossette, Pelagia) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Bohemios: "Récit" (Cossette, Pelagia) by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bohemios: "Récit" (Cossette, Pelagia) being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Verbena de la Paloma. Donde Vas Con Mantón de Manila | Orquesta Lírica de Barcelona | D Major | 4 | 10B | 67 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
La Generala: ¡Señora!, ¡Señora! | Amadeo Vives, Pilar Lorengar, Joaquin Portillo, Odon Alonso | A♭ Major | 5 | 4B | 115 BPM | ||
Tannhäuser: Coro de Peregrinos | Coro de la Orquesta Sinfónica de Radio Hamburgo | E♭ Major | 2 | 5B | 71 BPM | ||
La Verbena de la Paloma, Act I: La Virgen de la Paloma (Chœur) | Tomás Bretón, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 4 | 10B | 81 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Maruxa: "¡Por Dios, Señorita!..." | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | B♭ Major | 3 | 6B | 75 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Bohemios, Act I: Linda Cosette (Girard, Chœur, Victor, Roberto, Marcelo, Cosette) | Amadeo Vives, Maria Jose Martos, Alfonso Echeverria, Coro Polifonico De La Universidad De La Laguna, Santiago Jerico, Emilio Sanchez, Luis Lima, Maria Bayo, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá | D Major | 1 | 10B | 112 BPM | ||
Donizetti: Don Pasquale, Act 3 Scene 6: No. 12a, Serenata, "Com' è gentil la notte a mezzo" (Ernesto, Chorus) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM |
Section: 0.5939571857452393
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