"In Quelle Trine Morbide (Manon Lescaut)" by Renata Tebaldi, Orchestre de la Suisse Romande was released on March 3, 1950. The duration of In Quelle Trine Morbide (Manon Lescaut) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. In Quelle Trine Morbide (Manon Lescaut)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 19 out of 28. On top of that, Germany appears to be the country where this track was created. In Quelle Trine Morbide (Manon Lescaut) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Quelle Trine Morbide (Manon Lescaut) by Renata Tebaldi, Orchestre de la Suisse Romande to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
La Boheme, erster Akt: Questo Mar Rosso | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F Major | 4 | 7B | 78 BPM | ||
Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 0 | 5B | 70 BPM | ||
El Rey Que Rabió: "Terceto: Mi amor" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM | ||
Le Tombeau de Couperin, M.68: 1. Prélude | Maurice Ravel, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 1 | 9B | 70 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Theodora, HWV 68, Pt. I: Air. As With Rosy Steps The Morn Advancing | George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany | D♭ Minor | 1 | 12A | 75 BPM |
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