- BPM
- 70
- Key
- G Major
- Camelot
- 9B
Le Tombeau de Couperin, M.68: 1. Prélude - Maurice Ravel, Orchestre de la Suisse Romande, Ernest Ansermet Information
- Acousticness
- 94%
- Danceability
- 14%
- Energy
- 8%
- Instrumentalness
- 93%
- Liveness
- 96%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 0%
- Loudness
- -24.985 dB
Summary
"Le Tombeau de Couperin, M.68: 1. Prélude" by Maurice Ravel, Orchestre de la Suisse Romande, Ernest Ansermet was released on January 1, 2006. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 113 in Ernest Ansermet: Decca Recordings 1953/1967 by Ernest Ansermet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le Tombeau de Couperin, M.68: 1. Prélude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le Tombeau de Couperin, M.68: 1. Prélude BPM
The tempo marking of Le Tombeau de Couperin, M.68: 1. Prélude by Maurice Ravel, Orchestre de la Suisse Romande, Ernest Ansermet is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Le Tombeau de Couperin, M.68: 1. Prélude Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | |
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | |
 | Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM |
- ISRC
- GBF076010741
- Label
- L-M Records/RCA Records
Section: 0.8487842082977295
End: 0.8533415794372559