- BPM
- 75
- Key
- D♭ Minor
- Camelot
- 12A
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai - Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia Information
- Acousticness
- 98%
- Danceability
- 13%
- Energy
- 3%
- Instrumentalness
- 96%
- Liveness
- 7%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 19%
- Loudness
- -28.272 dB
Summary
"Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai" by Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia was released on January 13, 2017. Since Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Saint-Saëns, Ravel & Gershwin: Piano Concertos". In this album, this song's track order is #5. Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai BPM
With Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai Key
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | 10 Pieces for Piano, Op. 58: Der Hirt, No. 4 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 1 | 3B | 121 BPM | |
 | 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | |
 | Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | |
 | 6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | |
 | Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Cyprien Katsaris | D♭ Major | 0 | 3B | 94 BPM | |
 | Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | |
 | Ravel: Menuet antique, M. 7 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 71 BPM | |
 | Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.664069652557373
End: 0.6690337657928467