- BPM
- 76
- Key
- D Major
- Camelot
- 10B
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) - Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid Information
- Acousticness
- 90%
- Danceability
- 51%
- Energy
- 23%
- Instrumentalness
- 31%
- Liveness
- 19%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 42%
- Popularity
- 5%
- Loudness
- -17.011 dB
Summary
Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid made "La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión)" available on January 1, 1994. The duration of La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 9 out of 12. La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) BPM
We consider the tempo marking of La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) by Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | |
 | Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | |
 | La Chulapona: "Ay, Madrleña Chulapa!" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | C Major | 3 | 8B | 118 BPM | |
 | Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 78 BPM | |
 | Una Voce Poco Fa | Gioachino Rossini, Standard Music Library, Andy Brown | B Major | 3 | 1B | 105 BPM | |
 | Verdi: Nabucco, Act 3: Coro di schiavi ebrei. "Va pensiero, sull'ali dorate" (Excerpt) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | B Major | 4 | 1B | 63 BPM | |
 | Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | |
 | Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | |
 | Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6620621681213379
End: 0.6688122749328613