"Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus]" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra was released on 1992. Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra's "Gounod : Faust [Highlights]" album is number 18 out of 21. Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Faust, CG 4: Salut! Demeure chaste et pure | Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 172 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | F Major | 1 | 7B | 91 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Entr'acte-Valse | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | E Major | 0 | 12B | 181 BPM |
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