Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal's 'La Chulapona: "Ay, Madrleña Chulapa!"' came out on February 11, 2013. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Chulapona" album is number 7 out of 8. In terms of popularity, La Chulapona: "Ay, Madrleña Chulapa!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Chulapona: "Ay, Madrleña Chulapa!" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.9 Finale I: "Ehi, di casa!... buona gente!..." | Gioachino Rossini, Ugo Benelli, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 105 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
El barberillo de Lavapiés: Dúo: Una mujer que quiere ver a un barbero | Luis Mariano de Larra, Francisco Asenjo, Gerardo Monreal, Teresa Berganza, Ataúlfo Argenta, Gran Orquesta Sinfonica | B♭ Major | 4 | 6B | 84 BPM | ||
12 Seguidillas: 11. Las mujeres y cuerdas | Fernando Sor, José Miquel Moreno, Teresa Berganza | B Minor | 0 | 10A | 102 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
El Año Pasado por Agua: "Mazurca: Hágame Usté el Favor" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 3 | 6B | 140 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
El Huesped del Sevillano (Coro de Lagarteranas) | Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra | E Major | 1 | 12B | 110 BPM | ||
La gran via: Coro y mazurca de los marineritos | Ana Maria Iriarte, Ataúlfo Argenta, Coro Cantores de Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | F Major | 2 | 7B | 86 BPM | ||
7 Canzonette: 7. La natura | Vicente Martín Y Soler, José Miquel Moreno, Teresa Berganza | B Minor | 0 | 10A | 102 BPM |
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