Luis Mariano de Larra, Francisco Asenjo, Gerardo Monreal, Teresa Berganza, Ataúlfo Argenta, Gran Orquesta Sinfonica made "El barberillo de Lavapiés: Dúo: Una mujer que quiere ver a un barbero" available on May 15, 2006. El barberillo de Lavapiés: Dúo: Una mujer que quiere ver a un barbero is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Luis Mariano de Larra, Francisco Asenjo, Various Artists, Ataúlfo Argenta, Gran Orquesta Sinfonica's "La Zarzuela: El Barberillo de Lavapiés" album is number 8 out of 13. On top of that, Spain appears to be the country where this track was created. El barberillo de Lavapiés: Dúo: Una mujer que quiere ver a un barbero is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of El barberillo de Lavapiés: Dúo: Una mujer que quiere ver a un barbero by Luis Mariano de Larra, Francisco Asenjo, Gerardo Monreal, Teresa Berganza, Ataúlfo Argenta, Gran Orquesta Sinfonica to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM | ||
La Verbena de la Paloma: "Por ser la Virgen de la Paloma" | Tomás Bretón, José Lematt, Alicia de la Victoria, Angeles Chamorro, Jose Antonio Vine, Carlo del Monte, Julio Catania, Jesus Coiras, Gregorio Gil, Jose Granados, Norma Lerer, Igor Markevitch, Spanish R.T.V. Symphony Chorus, Spanish R.T.V. Symphony Orchestra | D Major | 6 | 10B | 81 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
Requiem in E-Flat Minor: IV. Judex ergo | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered | Julián Moyrón, Pablo Luna, Marcos Redondo | E♭ Major | 4 | 5B | 110 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
Don Quichote - Acte II - Les moulins - Chanson : C'est vers ton amour (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam | F Major | 1 | 7B | 81 BPM | ||
El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered | Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo | B♭ Major | 3 | 6B | 178 BPM |
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