"Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar was released on December 4, 2020. With this song being about 5 minutes long, at 4:35, "Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Cappella Coloniensis, Vienna Radio Symphony Orchestra, Serge Baudo, Lamberto Gardelli, Ferdinand Leitner, Anthony Spiri, Leopold Hager, Jessye Norman, Nicolai Gedda, Dietrich Fischer-Dieskau, Pilar Lorengar, Franco Bonisolli, Bavarian Radio Chorus, Thomas Moser, Kaaren Erickson, Ruth-Margret Putz, Elisabeth Söderström, Lothar Zagrosek, Jan-Hendrick Rootering, Iris Vermillion, Robert Gambill, Walton Groenroos, Alexandrina Milcheva, Kölner Rundfunkchor, Anne Tedards, Sylvia Greenberg, Ileana Cotrubas, Gabriele Fontana, Julie Kaufmann, Anna-Marie Rodde, Marga Schiml, Arnold Schoenberg Chor, Robrt Gambill, Chor des Osterreichischen Rundfunks, Annegeer Stumphius, Anna-Maria Rodde, Claes-Håkan Ahnsjö, Ulrich Ress's "Gluck: Opera Gala" album is number 9 out of 39. Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Antiche danze ed arie per liuto, Suite No. 2, P. 138: II. Danza rustica | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | A Major | 0 | 11B | 116 BPM | ||
Puccini : Il Trittico, 'Suor Angelica' : "Senza mamma" [Forzano] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A Minor | 1 | 8A | 93 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
El Rey Que Rabió: "Terceto: Mi amor" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM | ||
España | Emmanuel Chabrier, Munich Radio Orchestra, Asher Fisch | F Major | 2 | 7B | 119 BPM | ||
La Sonnambula / Act 1: Care compagne, e voi, tenere amici | Vincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 115 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM |
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