"Gianni Schicchi: Oh! Mio Babbino Caro" by Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino was released on January 1, 2020. The duration of Gianni Schicchi: Oh! Mio Babbino Caro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Gianni Schicchi: Oh! Mio Babbino Caro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Puccini: Gianni Schicchi". In this album, this song's track order is #8. Gianni Schicchi: Oh! Mio Babbino Caro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: Oh! Mio Babbino Caro by Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "Ah! que j'aime les militaires" (Duchesse, Fritz, Puck, Boum, Chorus) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Franck Leguérinel, Francois Le Roux, Yann Beuron, Les Musiciens du Louvre.Grenoble | F Major | 1 | 7B | 115 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 1 | 12B | 101 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 2: "Amis, amis, secondez ma vengeance" (Chorus, Arnold) | Gioachino Rossini, Nicolai Gedda, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 3 | 8B | 66 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Caro Nome Che Il Mio Cor (Traviata) | José van Dam | A♭ Major | 1 | 4B | 78 BPM |
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