"Torna a Surriento (Transcr. for Tenor, Piano and Harp)" by Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot was released on May 31, 2024. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in De Curtis: Torna a Surriento (Transcr. for Tenor, Piano and Harp) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Torna a Surriento (Transcr. for Tenor, Piano and Harp) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Torna a Surriento (Transcr. for Tenor, Piano and Harp) by Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut, SC 64: Donna non vidi mai | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | B♭ Major | 3 | 6B | 86 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Deux romances, L. 78: No. 1, L'âme évaporée | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 124 BPM | ||
20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM | ||
La Cenerentola, Act II: Nacqui all'affanno e al pianto | Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Canto di Fervore | Isabella Modigliani | C Minor | 3 | 5A | 101 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
Le pardon de Ploërmel, Act II, Scene 3: Ombre légère (Dinorah) | Giacomo Meyerbeer, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | D♭ Major | 1 | 3B | 92 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM |
Section: 0.6699395179748535
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