"Haugtussa, Op. 67: IV. Møte" by Charlotte Hoather, George Todica was released on April 11, 2017. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charlotte Hoather, George Todica's "Haugtussa" album is number 4 out of 8. In terms of popularity, Haugtussa, Op. 67: IV. Møte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haugtussa, Op. 67: IV. Møte by Charlotte Hoather, George Todica to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Océan | Channing Geoffrey | D♭ Major | 0 | 3B | 64 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Misatango, Misa a Buenos Aires: XIV. Agnus Dei | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 1 | 8B | 90 BPM | ||
Indianas: V. Al Tribunal de tu Pecho | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | E Major | 0 | 12B | 119 BPM | ||
La niña abandonada: La niña abandonada | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | E Major | 3 | 12B | 82 BPM | ||
Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées | Charles Koechlin, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM | ||
Piano Sonata No. 2 in B-Flat, Op. 36: II. Non allegro | George Todica | E Minor | 0 | 9A | 69 BPM |
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