"La niña abandonada: La niña abandonada" by Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre was released on June 2, 2023. The duration of La niña abandonada: La niña abandonada is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. La niña abandonada: La niña abandonada's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre's "Los Cisnes en Palacio" album is number 2 out of 13. On top of that, Spain appears to be the country where this track was created. La niña abandonada: La niña abandonada is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La niña abandonada: La niña abandonada by Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Semele, Act I, HWV 58: “Endless Pleasure Endless Love” | Charlotte Hoather | F Major | 2 | 7B | 141 BPM | ||
Winterreise, D. 911: No. 24, Der Leiermann | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Poèmes pour Mi, Premier Livre: No. 3, La Maison | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | C Major | 1 | 8B | 93 BPM |
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