"Fausto, Act II: Cavatina. Palpita nel seno gelido il cor" by Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset was released on January 26, 2024. The duration of Fausto, Act II: Cavatina. Palpita nel seno gelido il cor is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Fausto, Act II: Cavatina. Palpita nel seno gelido il cor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louise Bertin, Les Talens Lyriques, Christophe Rousset, Flemish Radio Choir's "Louise Bertin: Fausto" album is number 16 out of 36. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fausto, Act II: Cavatina. Palpita nel seno gelido il cor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fausto, Act II: Cavatina. Palpita nel seno gelido il cor by Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theodora, HWV 68, Pt. I: Air. As With Rosy Steps The Morn Advancing | George Frideric Handel, Arcangelo, Jonathan Cohen, Anna Stephany | D♭ Minor | 1 | 12A | 75 BPM | ||
Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) | Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Alcina, HWV 34 / Act 1: Tornami a vagheggiar | George Frideric Handel, Karina Gauvin, Il Complesso Barocco, Alan Curtis | C Minor | 1 | 5A | 61 BPM | ||
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I Jubal's lyre | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano | A Major | 1 | 11B | 118 BPM | ||
A te, SC 8 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | C Major | 4 | 8B | 103 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Leoncavallo: La bohème: "Musette svaria sulla bocca viva" | Ruggero Leoncavallo, Ermonela Jaho, Andrea Battistoni, Orquestra de la Comunitat Valenciana | G Major | 0 | 9B | 82 BPM | ||
Le nozze di Figaro, K.492, Act IV: Recitativo. "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | C Major | 1 | 8B | 66 BPM | ||
Armida, Atto primo Scena 2: In si crudel dubbiezza ah non perdiamo (Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino | G Major | 1 | 9B | 88 BPM |
Section: 0.6458539962768555
End: 0.6491847038269043