Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge's 'Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante)' came out on October 27, 2023. With this song being about 5 minutes long, at 5:18, "Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante)" by Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 16 in Forgotten Arias by Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) by Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così ... Piango il mio ben così" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 89 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Bach, JC: Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | A Major | 1 | 11B | 126 BPM | ||
Lascia i fior, l'erbette e 'l rio: Aria: Ma le giuste mie vendette | Johann Adolf Hasse, Jana Dvořáková, Hofmusici | F♯ Major | 2 | 2B | 130 BPM | ||
Mysliveček: Adamo ed Eva: "Non sò se il mio peccato" (Eva) | Josef Mysliveček, Vaclav Luks, Sophie Harmsen | E♭ Minor | 1 | 2A | 71 BPM | ||
Saint-Saëns: Violons dans le soir | Camille Saint-Saëns, Philippe Jaroussky, Jerome Ducros | F♯ Minor | 1 | 11A | 76 BPM | ||
La Serva Padrona · Intermezzo Primo: X. 10 Duetto: Lo conosco | Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Amanda Forsythe, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Stabat Mater, P. 77: X. Fac, ut portem | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM |
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