Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante)
Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge
Forgotten Arias
5:18 October 27, 2023
BPM
65
Key
D Major
Camelot
10B

Embed

Share Link

Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) - Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge Information

Acousticness
98%
Danceability
24%
Energy
12%
Instrumentalness
0%
Liveness
19%
Loudness
72%
Speechiness
5%
Valence
32%
Popularity
Loudness
-16.645 dB

Summary

Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge's 'Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante)' came out on October 27, 2023. With this song being about 5 minutes long, at 5:18, "Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante)" by Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 16 in Forgotten Arias by Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) BPM

The tempo marking of Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) by Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così ... Piango il mio ben così" (Orfeo)Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Major12B89 BPM
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) by Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesTélémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts)Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesF Minor34A85 BPM
Bach, JC: Ebben si vada .... lo ti lascio, T. 250/2: Bach, JC: Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio"Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'HarmonieA Major111B126 BPM
Lascia i fior, l'erbette e 'l rio: Aria: Ma le giuste mie vendette by Johann Adolf Hasse, Jana Dvořáková, HofmusiciLascia i fior, l'erbette e 'l rio: Aria: Ma le giuste mie vendetteJohann Adolf Hasse, Jana Dvořáková, HofmusiciF♯ Major22B130 BPM
Mysliveček: Adamo ed Eva: Mysliveček: Adamo ed Eva: "Non sò se il mio peccato" (Eva)Josef Mysliveček, Vaclav Luks, Sophie HarmsenE♭ Minor12A71 BPM
Saint-Saëns: Violons dans le soir by Camille Saint-Saëns, Philippe Jaroussky, Jerome DucrosSaint-Saëns: Violons dans le soirCamille Saint-Saëns, Philippe Jaroussky, Jerome DucrosF♯ Minor111A76 BPM
La Serva Padrona · Intermezzo Primo: X. 10 Duetto: Lo conosco by Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Amanda Forsythe, Paul O'Dette, Stephen Stubbs, Robert MealyLa Serva Padrona · Intermezzo Primo: X. 10 Duetto: Lo conoscoGiovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Amanda Forsythe, Paul O'Dette, Stephen Stubbs, Robert MealyF♯ Major32B101 BPM
Stabat Mater, P. 77: X. Fac, ut portem by Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT AmsterdamStabat Mater, P. 77: X. Fac, ut portemGiovanni Battista Pergolesi, Maarten Engeltjes, PRJCT AmsterdamF♯ Minor211A101 BPM
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème by Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy VashegyiLes fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre ThélèmeJean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy VashegyiE♭ Major05B99 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo)Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'AmoreE♭ Minor32A113 BPM
ISRC
GBAYC2300971
Label
L-M Records/RCA Records

Section: 0.589362382888794

End: 0.593477725982666