"4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées" by Charles Koechlin, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier was released on January 12, 2024. The duration of 4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées is about 3 minutes long, at 3:03. Based on our data, "4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Reflet". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. 4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées by Charles Koechlin, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Motets de style archaique, Op. 225: No. 3. La Crypte | Charles Koechlin, Ensemble Vocal Francois, Gilbert Martin-Bouyer | G Minor | 6 | 6A | 100 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Récit & Chœur. Célébrons le Printemps (un Berger, chœur) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur | F Minor | 4 | 4A | 141 BPM | ||
Debussy: La Romance d'Ariel, L. 54 | Claude Debussy, Sabine Devieilhe | F Minor | 1 | 4A | 78 BPM | ||
Delibes: Lakmé, Act 1: Duo des Fleurs (Lakmé, Mallika) | Léo Delibes, Isabelle Valot, Romain Dumas, Orchestre National Bordeaux Aquitaine | E♭ Major | 1 | 5B | 79 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Petite messe solennelle: XIII. Credo. Et resurrexit | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM |
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