"Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein?" by Richard Wagner, Max Lorenz, Deutsches Symphonie-Orchester Berlin, Arthur Rother was released on September 4, 2020. The duration of Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein? is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein?'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner, Verdi & Others: Vocal Works by Max Lorenz, Arthur Rother, Heinz Tietjen, Richard Strauss, Rudolf Moralt, Kurt Richter, Kurt Schröder, Max Schönherr, Anton Paulik. The song's track number on the album is #2 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein? by Richard Wagner, Max Lorenz, Deutsches Symphonie-Orchester Berlin, Arthur Rother has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein? being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Hört, ihr Riesen!" | Richard Wagner, Claire Watson, Eberhard Wächter, George London, Kurt Böhme, Walter Kreppel, Set Svanholm, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
La Traviata / Act 3: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 0 | 4B | 135 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM |
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