Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar's 'Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky)' came out on August 1, 2005. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Borodin: Prince Igor (Highlights) / In the Steppes of Central Asia by Alexander Borodin. Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
May Night: Sleep, my beauty [Kak tikho, ka prokhladno] (Act III) | Nicolai Gedda, Gervase De Peyer, Belgrade Philharmonic Orchestra | F♯ Minor | 2 | 11A | 88 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Haugtussa - Song Cycle, Op. 67: Ved gjaetle - bekken | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E Major | 1 | 12B | 78 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Piano Concerto No. 1, Op. 7: II. Andante | Nicolas Flagello, Tatjana Rankovich, Ukraine National Radio Symphony Orchestra, John McLaughlin Williams | F Minor | 0 | 4A | 96 BPM | ||
Alfonso und Estrella, D. 732: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | A Major | 2 | 11B | 134 BPM | ||
Vivaldi: Bajazet, RV 703, Act 2 Scene 8: No. 16, Aria, "Dov'è la figlia?" (Bajazet) | Antonio Vivaldi, Ildebrando D'Arcangelo, Fabio Biondi, Europa Galante | G Major | 1 | 9B | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM |
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