La Cenerentola: Overture (Sinfonia)
Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
Rossini: La Cenerentola
7:40 January 1, 1993
BPM
116
Key
A Minor
Camelot
8A

Embed

Share Link

La Cenerentola: Overture (Sinfonia) - Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information

Acousticness
94%
Danceability
37%
Energy
11%
Instrumentalness
0%
Liveness
23%
Loudness
66%
Speechiness
4%
Valence
25%
Popularity
Loudness
-20.154 dB

Summary

Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola: Overture (Sinfonia)' came out on January 1, 1993. Since La Cenerentola: Overture (Sinfonia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La Cenerentola: Overture (Sinfonia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Cenerentola: Overture (Sinfonia) BPM

With La Cenerentola: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

La Cenerentola: Overture (Sinfonia) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
2 Elegiac Melodies, Op. 34: II. The Last Spring by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi2 Elegiac Melodies, Op. 34: II. The Last SpringEdvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviG Major09B85 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante by Johannes Brahms, David ZinmanSymphony No. 3 in F Major, Op. 90: II. AndanteJohannes Brahms, David ZinmanC Major08B73 BPM
Hänsel und Gretel: Overture (Prelude) by Engelbert Humperdinck, Wiener Philharmoniker, Sir Georg SoltiHänsel und Gretel: Overture (Prelude)Engelbert Humperdinck, Wiener Philharmoniker, Sir Georg SoltiC Major18B91 BPM
Symphony No. 3 in F Major, Op. 90: 4. Allegro by Johannes Brahms, Berliner Philharmoniker, Claudio AbbadoSymphony No. 3 in F Major, Op. 90: 4. AllegroJohannes Brahms, Berliner Philharmoniker, Claudio AbbadoC Major18B79 BPM
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live by Igor Stravinsky, Lucerne Festival Orchestra, Riccardo ChaillyLe Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - LiveIgor Stravinsky, Lucerne Festival Orchestra, Riccardo ChaillyA♭ Minor31A104 BPM
Armida, Act I: Sinfonia by Gioachino Rossini, Prague Sinfonia, Christian BendaArmida, Act I: SinfoniaGioachino Rossini, Prague Sinfonia, Christian BendaB Minor210A175 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) by Pyotr Ilyich Tchaikovsky, Vilde Frang, Eivind Gullberg Jensen, Danish National Symphony OrchestraViolin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo)Pyotr Ilyich Tchaikovsky, Vilde Frang, Eivind Gullberg Jensen, Danish National Symphony OrchestraD Major110B86 BPM
Carmen Suite No. 1: 3. Intermezzo by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 3. IntermezzoGeorges Bizet, Orchestre de Paris, Semyon BychkovB♭ Major06B74 BPM
Andrea Chénier / Act 4: Andrea Chénier / Act 4: "Come un bel dì di maggio"Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo ChaillyF♯ Major22B85 BPM
ISRC
GBF079241701
Label
L-M Records/RCA Records

Section: 1.1042873859405518

End: 1.1075656414031982