"Hänsel und Gretel: Overture (Prelude)" by Engelbert Humperdinck, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1978. Since Hänsel und Gretel: Overture (Prelude) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Engelbert Humperdinck, Lucia Popp, Brigitte Fassbaender, Walter Berry, Wiener Philharmoniker, Sir Georg Solti's "Humperdinck: Hansel und Gretel" album is number 1 out of 26. In terms of popularity, Hänsel und Gretel: Overture (Prelude) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hänsel und Gretel: Overture (Prelude) by Engelbert Humperdinck, Wiener Philharmoniker, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Kurt Masur, Gewandhausorchester | B Minor | 1 | 10A | 72 BPM | ||
Hänsel and Gretel: Prelude | Engelbert Humperdinck, Ileana Cotrubas, Frederica von Stade, Kiri Te Kanawa, Christa Ludwig, Sir John Pritchard | F Major | 2 | 7B | 84 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
HÄNSEL UND GRETEL · Märchenoper in 3 Bildern (Auszüge), Zweites Bild: - Ein Männlein steht im Walde | Adelheid Wette, Engelbert Humperdinck, Lore Hoffmann/Erika Köth/Helga Hildebrand/Arthur Grüber/Berliner Symphoniker, Berliner Symphoniker | F Major | 0 | 7B | 72 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso) | Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra | E♭ Major | 0 | 5B | 102 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM |
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