Engelbert Humperdinck, Ileana Cotrubas, Frederica von Stade, Kiri Te Kanawa, Christa Ludwig, Sir John Pritchard's 'Hänsel and Gretel: Prelude' came out on 1979. Since Hänsel and Gretel: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Engelbert Humperdinck, Ileana Cotrubas's "Humperdinck: Hansel & Gretel" album is number 1 out of 27. On top of that, United States appears to be the country where this track was created. Hänsel and Gretel: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hänsel and Gretel: Prelude by Engelbert Humperdinck, Ileana Cotrubas, Frederica von Stade, Kiri Te Kanawa, Christa Ludwig, Sir John Pritchard to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Kinder, schaut das Wunder an" [Father, Stepmother, Gingerbread Children, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 89 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Hänsel und Gretel, ERSTES BILD/ACT 1/PREMIER ACTE, Erstes Szene/Scene 1/Première Scène: So recht! und willst du nun nicht mehr klagen (Gretel/Hänsel) | Engelbert Humperdinck, Anne Sofie von Otter, Jeffrey Tate, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Pulcinella - Ballet avec chante: Mentre l'erbetta pasce l'agnella - 2001 Digital Remaster | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Yvonne Kenny, Robert Tear, Robert Lloyd | B♭ Major | 0 | 6B | 121 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Rückert-Lieder: Ich atmet' einen linden Duft | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Major | 0 | 9B | 93 BPM | ||
Variation 7: Andante grazioso | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 0 | 7B | 82 BPM |
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