"Palestrina: Assumpta est Maria - 1. Assumpta est Maria" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. The duration of Palestrina: Assumpta est Maria - 1. Assumpta est Maria is about 3 minutes long, at 3:15. Based on our data, "Palestrina: Assumpta est Maria - 1. Assumpta est Maria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #2. Based on our statistics, Palestrina: Assumpta est Maria - 1. Assumpta est Maria's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Assumpta est Maria - 1. Assumpta est Maria by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IX. A Mercy of Peace | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 1 | 10B | 135 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM | ||
Johannes-Passion, SWV 481: I. Introitus | Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 77 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Messa Della Domenica: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 0 | 2A | 112 BPM | ||
Sheppard: Missa Cantate - 2e. Qui propter nos homines | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 95 BPM |
Section: 0.6762535572052002
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