"6 Chansons: No. 5. En hiver" by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed was released on March 26, 2013. With 6 Chansons: No. 5. En hiver being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed's "Hindemith: Messe - Apparebit repentina dies" album is number 9 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 6 Chansons: No. 5. En hiver's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Chansons: No. 5. En hiver by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: I. Credo in unum Deum | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | B Major | 1 | 1B | 131 BPM | ||
Messe vidi turbam magnam: No. 2, Kyrie | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 3 | 7B | 80 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Stabat mater, FP 148: O quam tristis (Chorus a cappella) | Francis Poulenc, Marlis Petersen, SWR Vokalensemble Stuttgart, NDR Chor, Stuttgart Radio Symphony Orchestra, Stéphane Denève | G Major | 1 | 9B | 119 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. "Turandot," Scherzo - Moderato - Lebhaft | Paul Hindemith, Philadelphia Orchestra, Neeme Järvi | C Major | 1 | 8B | 88 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Sonata for Tuba | Paul Hindemith, Sam Pilafian, David Korevaar | F♯ Major | 0 | 2B | 70 BPM |
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