"Lord, for thy tender mercy's sake" by Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene was released on January 1, 1995. With Lord, for thy tender mercy's sake being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 24 in Choral Music - Hildegard of Bingen / Palestrina, G. / Byrd, W. / Isaac, H. / Josquin Des Prez / Dufay, G. by Voices of Ascension Chorus, Dennis Keene. Lord, for thy tender mercy's sake is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lord, for thy tender mercy's sake by Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum corpus | Anonymous , Susanne Peck, Voices of Ascension Orchestra, Dennis Keene | A♭ Minor | 0 | 1A | 75 BPM | ||
O for a Closer Walk with God | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Christopher Robinson | C Minor | 0 | 5A | 67 BPM | ||
Deutsche Messe, D. 872: VIII. Schlussgesang. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | N/A | N/A | N/A | 0 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
Pantheas Lament | Richard Farrant, Pantagruel | F♯ Minor | 2 | 11A | 90 BPM | ||
Cantique De Jean Racine | Monks And Choir Boys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
Alleluia, I heard a voice | Thomas Weelkes, Peter Stewart, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | D Major | 1 | 10B | 110 BPM | ||
Show Boat: Make Believe | Jerome Kern, Donald Fraser, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 114 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM |
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