Thomas Weelkes, Peter Stewart, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene's 'Alleluia, I heard a voice' came out on January 1, 1995. The duration of Alleluia, I heard a voice is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Alleluia, I heard a voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 24 in Choral Music - Hildegard of Bingen / Palestrina, G. / Byrd, W. / Isaac, H. / Josquin Des Prez / Dufay, G. by Voices of Ascension Chorus, Dennis Keene. In terms of popularity, Alleluia, I heard a voice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alleluia, I heard a voice by Thomas Weelkes, Peter Stewart, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Sheppard: Missa Cantate - 3b. Dominus Deus Sabaoth | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 91 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Pavan No. 5 a5 | Thomas Weelkes, The English Cornett and Sackbut Ensemble | A♭ Major | 3 | 4B | 84 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM | ||
Tenebrae Responsories, Feria quinta: VIII. Una hora | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | G Major | 1 | 9B | 79 BPM | ||
Ich lasse dich nicht, BWV Anh. 159 | Johann Sebastian Bach, Johann Christoph Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 86 BPM | ||
Strike it up, Tabor | Thomas Weelkes, The Hilliard Ensemble, Paul Hillier | A Major | 2 | 11B | 181 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM |
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