"Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser" by Hugo Distler, Sjaella, Ensemble Nobiles was released on October 22, 2012. The duration of Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hugo Distler, Sjaella, Ensemble Nobiles's "Hugo Distler: "Totentanz", aus Geistliche Chormusik, Op. 12 (Drei-Und vierstimmige Motetten)" album is number 21 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser by Hugo Distler, Sjaella, Ensemble Nobiles to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Three Songs, Op. 42: II. Vineta | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM |
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