"O Nata Lux" by Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge was released on September 25, 2020. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 17 in All Things Are Quite Silent by The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, O Nata Lux's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Nata Lux by Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Stars | Eriks Esenvalds, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | G Major | 0 | 9B | 90 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Major | 0 | 3B | 104 BPM | ||
Chevaliers De Sangreal (From "The Da Vinci Code") - Midnight Sessions at the Royal Albert Hall | Anna Lapwood | F Major | 2 | 7B | 128 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Sous-bois | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Major | 1 | 3B | 80 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
The Water of Tyne (arr. Elizabeth Poston) | Traditional, Elizabeth Poston, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 78 BPM |
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