"Sous-bois" by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber was released on March 22, 2018. Sous-bois is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber's "Lili Boulanger: Hymne au Soleil. Chorwerke" album is number 7 out of 15. Sous-bois is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sous-bois by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reincarnations: The Coolin', Op. 16, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 0 | 7B | 81 BPM | ||
Zefiro torna | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 131 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM |
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