"Das Verlassene Mägdlein" by Hugo Wolf, Barbara Hendricks was released on 2000. The duration of Das Verlassene Mägdlein is about 3 minutes long, at 3:16. Based on our data, "Das Verlassene Mägdlein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wolf - Lieder by Hugo Wolf, Barbara Hendricks. The song's track number on the album is #11 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Das Verlassene Mägdlein is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Verlassene Mägdlein by Hugo Wolf, Barbara Hendricks has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Verlassene Mägdlein being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
L'invitation au voyage | Henri Duparc, Véronique Gens, Susan Manoff | A Major | 1 | 11B | 174 BPM | ||
Traditional: Didn't My Lord Deliver Daniel (Arr. Moses Hogan) | Traditional, Barbara Hendricks | D Major | 1 | 10B | 87 BPM | ||
Turandot / Act 3: Signor, non parlerò! (Liù, Ping, Timur, Calaf, Coro, Turandot, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Barbara Hendricks, Plácido Domingo, Gottfried Hornik, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F Major | 1 | 7B | 82 BPM | ||
Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Ein deutsches Requiem, Op. 45: Andante moderato - Herr, lehre doch mich - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | D Major | 2 | 10B | 132 BPM | ||
Widmung, Op.25, No.1 | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 83 BPM | ||
La Coccinelle, WD 87 | Georges Bizet, Sylvia McNair, Roger Vignoles | A♭ Major | 0 | 4B | 132 BPM | ||
Die Mainacht, Op. 43/2 | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 1 | 5B | 135 BPM |
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