- BPM
- 81
- Key
- F Major
- Camelot
- 7B
Reincarnations: The Coolin', Op. 16, No. 3 - Samuel Barber, Conspirare, Craig Hella Johnson Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 2%
- Instrumentalness
- 71%
- Liveness
- 8%
- Loudness
- 47%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -31.629 dB
Summary
"Reincarnations: The Coolin', Op. 16, No. 3" by Samuel Barber, Conspirare, Craig Hella Johnson was released on October 23, 2012. With this song being about 5 minutes long, at 4:42, "Reincarnations: The Coolin', Op. 16, No. 3" by Samuel Barber, Conspirare, Craig Hella Johnson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 21 in Barber: An American Romantic by Samuel Barber, Conspirare, Craig Hella Johnson. Reincarnations: The Coolin', Op. 16, No. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Reincarnations: The Coolin', Op. 16, No. 3 BPM
The tempo marking of Reincarnations: The Coolin', Op. 16, No. 3 by Samuel Barber, Conspirare, Craig Hella Johnson is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Reincarnations: The Coolin', Op. 16, No. 3 Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | |
 | Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | |
 | Via Crucis: Andante Maestoso "Vexilla Regis prodeunt" | Franz Liszt, Netherlands Chamber Choir, Reinbert de Leeuw | B Major | 1 | 1B | 90 BPM | |
 | Civitas sancti tui | William Byrd, Contrapunctus, Owen Rees | G Major | 1 | 9B | 138 BPM | |
 | Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | |
 | Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | |
 | He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 73 BPM | |
 | Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | |
 | Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | |
 | Dover Beach Op. 3 | Samuel Barber, Thomas Hampson, Emerson String Quartet | F Major | 1 | 7B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8109431266784668
End: 0.8145205974578857