Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann's 'Johannes-Passion, SWV 481: I. Introitus' came out on March 1, 2016. With Johannes-Passion, SWV 481: I. Introitus being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Schütz: Johannes-Passion (Complete Recording Vol. 13)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Johannes-Passion, SWV 481: I. Introitus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Johannes-Passion, SWV 481: I. Introitus by Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord" | George Frideric Handel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 104 BPM | ||
Magnificat in D Major, BWV 243: XI. Sicut locutus est | Johann Sebastian Bach, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 85 BPM | ||
Stabat Mater à 10 voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Guerrero: Ambulans Iesus | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
Miserere in D Minor: II. Tibi soli peccavi | Johann Adolf Hasse, Simona Houda-Saturová, Dresdner Barockorchester, Hans-Christoph Rademann | F♯ Minor | 1 | 11A | 105 BPM | ||
Matthäuspassion, BWV 244: Aria: Sehet, Jesus hat die Hand (Alto, Chorus II) | Johann Sebastian Bach, Marianne Beate Kielland, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | D Major | 1 | 10B | 83 BPM | ||
Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 129 BPM | ||
We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
Geistliche Chormusik, Op. 11: 21. Ich bin ein rechter Weinstock, SWV 389 | Heinrich Schütz, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 2 | 2B | 128 BPM |
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