George Frideric Handel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann made "Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord"" available on December 1, 2008. The duration of Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Dresdner Barockorchester, Hans-Christoph Rademann's "Handel: Saul, HWV 53" album is number 5 out of 86. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Saul, HWV 53 / Act 1: 4. Chorus. "The Youth inspir'd by Thee, O Lord" by George Frideric Handel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XVII. [Bourrée] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 4 | 3B | 139 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Rinaldo: Aria: Ogni tua bella stilla | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Sinfonia in B-Flat Major, HWV 339: III. Allegro | George Frideric Handel, The Brook Street Band | A Major | 3 | 11B | 142 BPM |
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