Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann's 'Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374' came out on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 6 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374 by Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | B Minor | 0 | 10A | 80 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM |
Section: 0.46686601638793945
End: 0.4717271327972412