Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow made "De ma dame vient" available on January 1, 2006. The duration of De ma dame vient is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. De ma dame vient's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Early Music Consort Of London, David Munrow's "Musik der Gotik" album is number 9 out of 19. On top of that, Germany appears to be the country where this track was created. De ma dame vient is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of De ma dame vient by Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave sancta mundi salus - Agnus dei | Matteo da Perugia, Paul Hillier, Theatre Of Voices | E Minor | 1 | 9A | 80 BPM | ||
O mira caritas | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D♭ Major | 0 | 3B | 94 BPM | ||
Magnificat In E-Flat Major, BWV 243a: 11. Deposuit potentes | Johann Sebastian Bach, Paul Elliott, Academy of Ancient Music, Simon Preston | F♯ Minor | 1 | 11A | 95 BPM | ||
Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578 | Giorgio Mainerio, David Munrow, Early Music Consort Of London | C Major | 2 | 8B | 121 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM | ||
Aucun ont trouvé | Petrus de Cruce, Charles Brett, Martyn Hill, Early Music Consort Of London, David Munrow | G Major | 0 | 9B | 116 BPM | ||
Confiteor / Kyrie Eleison | The Cathedral Singers | A♭ Major | 1 | 4B | 88 BPM | ||
Gabriel archangelus, motet à 4 | Francisco Guerrero, Ensemble La Sestina, Adriano Giardina | F Minor | 2 | 4A | 105 BPM | ||
Kontakion of the Mother of God (Mode Plagal IV) | Medieval Byzantine Chant, Cappella Romana | F Major | 2 | 7B | 70 BPM | ||
Dismissal and Blessing | Edward Schaefer, Herve Lamy, Choeur Gregorien De Paris | E Major | 0 | 12B | 75 BPM |
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