On 1976, the song "Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578" was released by Giorgio Mainerio, David Munrow, Early Music Consort Of London. With Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578 being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Munrow, Early Music Consort Of London's "Instruments of Middle Age and Renaissance" album is number 23 out of 61. Based on our statistics, Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578 by Giorgio Mainerio, David Munrow, Early Music Consort Of London to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
The Earle of Essex Galiard | John Dowland, Flanders Recorder Quartet | E♭ Minor | 0 | 2A | 64 BPM | ||
Byrd: Ye Sacred Muses | William Byrd, David James, London Baroque | B Major | 0 | 1B | 85 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM | ||
La Lavandara Gagliarda (ll primo libro de balli accomodati per cantar et sonar d'ogni sorte de instromenti) | Giorgio Mainerio, Dorothee Oberlinger | C Major | 5 | 8B | 134 BPM | ||
Otros Canarios | Rolf Lislevand, Santiago De Murcia | D♭ Major | 1 | 3B | 145 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
Chansons: Filles a marier ne vous mariez ja | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 3 | 3B | 149 BPM |
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