Hayne van Ghizeghem, David Munrow, Early Music Consort Of London's 'Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental)' came out on 1976. With Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "The Art of the Netherlands". In this album, this song's track order is #7. Based on our statistics, Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) by Hayne van Ghizeghem, David Munrow, Early Music Consort Of London having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La cancion del emperador. Mille Regres (after a Canzon by Josquin Desprez) | Luis de Narváez, Lutz Kirchhof | G Minor | 0 | 6A | 85 BPM | ||
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) | Palisander, Toby Carr | G Minor | 1 | 6A | 73 BPM | ||
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Fortune my foe | John Dowland, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | C Major | 0 | 8B | 93 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Double pipes - Virelai (Gracieusette) | Jehan de Lescurel, David Munrow, Early Music Consort Of London | D♭ Major | 1 | 3B | 87 BPM | ||
Six-holed pipe - Chanson pieuse (Dou tres douz non') with improvised prelude & postlude for jew's harp | Thibaut de Champagne, David Munrow, Early Music Consort Of London | F Major | 3 | 7B | 71 BPM |
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