- BPM
- 72
- Key
- D Minor
- Camelot
- 7A
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) - Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri Information
- Acousticness
- 96%
- Danceability
- 58%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 72%
- Loudness
- 54%
- Speechiness
- 25%
- Valence
- 54%
- Popularity
- 4%
- Loudness
- -27.675 dB
Summary
Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri made "Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro)" available on 1996. With Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #6. Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) BPM
With Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K.492 / Act 1: "Non più andrai" | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine | G Major | 3 | 9B | 135 BPM | |
 | Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Eccola! va, mi lascia, ragion non odo" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 1 | 5B | 75 BPM | |
 | Carmen (1997 - Remaster), Act I: C'est bien là, n'est-ce pas? | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 1 | 3B | 97 BPM | |
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | La Traviata / Act 2: "Dammi tu forza, o cielo!" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Bavarian State Orchestra, Carlos Kleiber | G Minor | 0 | 6A | 124 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
 | Verdi: Aida, Act 1: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès, Ramfis, Sacerdoti, Ministri, Capitani, Aida, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 88 BPM | |
 | La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7702763080596924
End: 0.775662899017334