Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine's ' "Le nozze di Figaro, K.492 / Act 1: "Non più andrai"" was released on its scheduled release date, January 1, 1980. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 8 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K.492 / Act 1: "Non più andrai"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 1: "Non più andrai" by Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Carmina Burana / 1. Primo vere: "Omnia Sol temperat" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine | D Minor | 2 | 7A | 135 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Recitativo, "Ah! ti retrovo ancor" (Donna Elvira) | Wolfgang Amadeus Mozart, William Shimell | F Major | 1 | 7B | 170 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai" - "Udisti? qualche bella" | Wolfgang Amadeus Mozart, Agnes Baltsa, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 113 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.2 Duettino Figaro, Susanna "Se a caso madama" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | F Major | 1 | 7B | 128 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 90 BPM | ||
Così fan tutte, K. 588 / Act I: "Che sussurro! Che strepito!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Angela Brower, Miah Persson, Rolando Villazón, Adam Plachetka, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Minor | 3 | 4A | 92 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco … Da qual tremore insolito" (Il Commendatore, Don Giovanni, Chorus, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 2 | 6B | 75 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM |