"Otello / Act IV: Era più calmo? - Live" by Giuseppe Verdi, Wendy White, Renée Fleming, The Metropolitan Opera, Semyon Bychkov was released on January 13, 2023. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 5 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Otello / Act IV: Era più calmo? - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Otello / Act IV: Era più calmo? - Live by Giuseppe Verdi, Wendy White, Renée Fleming, The Metropolitan Opera, Semyon Bychkov to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Rigoletto / Act 2: Scena e Duetto: "Mio padre!" / "Dio! Mia Gilda!" (Gilda, Rigoletto, Borsa, Marullo, Ceprano, Coro) | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Paul Groves, Dwayne Croft, Yanni Yannissis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 83 BPM | ||
Roméo et Juliette / Act 1: "Ah, je veux vivre" | Charles Gounod, Montserrat Caballé, New Philharmonia Orchestra, Reynald Giovaninetti | D Major | 0 | 10B | 98 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
Bizet: Carmen: L'amour est un oiseau rebelle: Habanera - Act One | Georges Bizet, Shirley Verrett, Covent Garden Chorus | D Major | 2 | 10B | 82 BPM |
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