"Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I" by Renata Tebaldi was released on March 3, 1950. The duration of Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I is about 3 minutes long, at 3:04. Based on our data, "Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 1 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I by Renata Tebaldi to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Juan Diego Flórez, Riccardo Frizza, Orchestra Sinfonica di Milano Giuseppe Verdi | F Minor | 1 | 4A | 78 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 80 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Csardas | Vittorio Monti, Clara Cernat, Thierry Huillet | D Major | 1 | 10B | 157 BPM | ||
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM |
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