- BPM
- 134
- Key
- F Major
- Camelot
- 7B
Carmina Burana / II. In Taberna: "In taberna quando sumus" - Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum Information
- Acousticness
- 84%
- Danceability
- 42%
- Energy
- 36%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 71%
- Speechiness
- 6%
- Valence
- 45%
- Popularity
- 11%
- Loudness
- -17.324 dB
Summary
Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum made "Carmina Burana / II. In Taberna: "In taberna quando sumus"" available on January 1, 1988. The duration of Carmina Burana / II. In Taberna: "In taberna quando sumus" is about 3 minutes long, at 3:05. Based on our data, "Carmina Burana / II. In Taberna: "In taberna quando sumus"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #14. Based on our statistics, Carmina Burana / II. In Taberna: "In taberna quando sumus"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Carmina Burana / II. In Taberna: "In taberna quando sumus" BPM
With Carmina Burana / II. In Taberna: "In taberna quando sumus" by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Carmina Burana / II. In Taberna: "In taberna quando sumus" Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
 | Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | |
 | Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | |
 | Catulli Carmina: Exodium: Chorus: Eis aiona | Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum | F Minor | 6 | 4A | 99 BPM | |
 | Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | |
 | Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | |
| Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7018070220947266
End: 0.7056961059570312