"Carmina Burana / III. Cour d'amours: "Amor volat undique"" by Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben was released on January 1, 1988. The duration of Carmina Burana / III. Cour d'amours: "Amor volat undique" is about 3 minutes long, at 3:00. Based on our data, "Carmina Burana / III. Cour d'amours: "Amor volat undique"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmina Burana / III. Cour d'amours: "Amor volat undique" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / III. Cour d'amours: "Amor volat undique" by Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 3: Ze se bojís? Tresky, plesky | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 130 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | ||
La Traviata / Act 2: "Dammi tu forza, o cielo!" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Bavarian State Orchestra, Carlos Kleiber | G Minor | 0 | 6A | 124 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Mater et filia für Frauenchor a cappella, Musik für Kinder III Nr. 30, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | B♭ Major | 1 | 6B | 76 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?" | Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 80 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM |
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