"Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?"" by Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #6. Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" by Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | C Major | 2 | 8B | 129 BPM | ||
Das Rheingold, WWV 86A / Dritte Szene: "Ohe! Ohe! Schreckliche Schlange" | Richard Wagner, Gerhard Stolze, Dietrich Fischer-Dieskau, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 138 BPM | ||
Jenufa / Act 1: Co to robis, mládku? | Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Marie Mrazova, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 2 | 11B | 94 BPM | ||
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Hanneke Van Bork, Hetty Plümacher, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 126 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Die Fledermaus / Act 1: Dialog: Die arme Tante | Johann Strauss II, Julia Varady, René Kollo | G Major | 1 | 9B | 110 BPM | ||
Verdi: Aida, Act 3: "O patra mia" (Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 0 | 7B | 73 BPM | ||
Carmen, WD 31 / Act II: "Nous avons en tête une affaire" | Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Russell Christopher, Andrea Velis, Metropolitan Opera Orchestra, Leonard Bernstein | F Minor | 3 | 4A | 171 BPM |
Section: 0.9460647106170654
End: 0.951362133026123